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HOMEWARD BOUND: THE INCREDIBLE JOURNEY Wonderful
score for family movie A review by JAMES SOUTHALL Bruce Broughton scores are few and far between these days, so it's always
good to delve into his back catalogue and try to unearth the joys that he has
bestowed upon us in the past. Few composers are as gifted at conjuring up
images of the great American landscape, so after David Shire's score was
rejected, Broughton was perfect casting for
this family film from Disney about a pair of dogs and a cat going on an
"incredible journey" (as the film's subtitle tells us).
Wonderfully, it stars Robert Hays - "there's no stopping in a white
zone" - "they're coming in on instruments!" - "it's a big
building with doctors and patients in it, but that's not important right
now" - "have you ever been in a Turkish prison, Joey?" - and so
on. Ah, those were the days. Anyway, I digress. Homeward Bound features some wonderful
themes, one in particular which is bound to bring a smile to the face.
Vaguely nautical in feel (I'm sure not deliberately!) it features in many of the
tracks and has a delightfully light, airy grace about it. The secondary
theme is also a real winner, a nostalgic, old-fashioned theme for strings which
is always welcome when it appears. In
keeping with the nature of the movie, there is also some exciting, darker
material, and the thrilling "The Cougar", with brilliant
orchestration, recalls Jerry Goldsmith at his best. (Orchestration
throughout is notably good, with the standard orchestra augmented by occasional
guitar for an appropriately folksy feel to a few passages.) Action music
of a lighter, more comic variety comes with the lovely jazz-tinged "Escape
from the Pound" - a brilliant, zany piece slightly reminiscent of the
composer's Honey, I Blew Up the Kid. The closing credits piece
brings a fine summary of the score's main themes. For a wonderful, truly delightful score from probably Hollywood's most
underutilised composer, look no further. The colour and expression
inherent in Broughton's writing leave many composers to shame, and I'm sure that
it would only have taken one big hit a few years ago for Broughton to have got
himself noticed enough that he would now be scoring Harry Potter or Lord
of the Rings. Anyway, he didn't, so he now labours in tv movie hell,
but with any luck he will someday get the break he so richly deserves. Tracks
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